Monday, April 7, 2014

Letterman Couch Gag | THE SIMPSONS | ANIMATION on FOX



Going to miss you, Dave. I have been watching since the morning show.

Is Marriage Better?


Is Marriage or Living Together Better for Your Brain?


Today’s guest blog comes from therapist Nina Atwood, who discusses the benefits of getting married vs. living with a partner. Having been on both sides of this one, I agree that marriage just feels right for me and there is contentment on a much deeper level.

The other day I came home stressed out and my husband offered to give me a head and shoulder rub. What bliss! Not only did it feel good to my tense muscles, but as he rubbed, I felt my entire system calm down.

I know without having to think about it that my husband loves me and is there for me. So that neck and shoulder rub wasn't just physically therapeutic, it was emotionally therapeutic. And there was an additional bonus: It’s a safeguard against the health impacts of stress. The big news: couples who live together cannot gain those same benefits.

We've known for a long time that a good marriage is better for you than being contentedly single. It is well documented that married couples gain significant health, economic, and quality of life benefits. But we haven’t had research that documents the difference between marrying and living together, regarding those same benefits, until now. Here’s what researchers at the University of Virginia found, and what it means for you.

If you’re “just living together,” your brain knows that it’s not the same thing as being married. Using functional MRIs (fMRIs), the researchers found that people have a decreased reaction to stress when holding the hand of a married partner. But when the hand they hold is that of a live-in partner, their reaction to stress is significantly higher. Why? Because the brain can’t relax.

One of the most important aspects of a good relationship is that you feel safe with your partner, that you believe your partner has your back and is really there for you. Getting married signifies the highest level of commitment. It conveys to both of you that you are willing to throw all of it in together — your living space, your assets, your emotional vulnerability, your health and overall well-being.

There is no other relationship in which you commit to being together not just for years, but for decades, and in which you commit not to bail even if it is challenging. When you’re married, you’re in it for the long run.

The research now shows that when you make that level of commitment, your brain gets it and relaxes. You really do emotionally “exhale” in the context of marriage in a way that you cannot in a cohabiting relationship. Your brain knows the difference; it knows that when you are not married, you haven’t yet made that level of commitment, so it doesn't entirely relax.

If you’re considering moving in together, here’s what you need to know. You won’t get the benefits of marriage, so don’t expect them. Don’t expect your live-in partner to give you the kind of devotion and commitment you would expect from a husband or wife. Don’t be surprised if there’s an underlying feeling of insecurity that you thought would disappear after the moving truck drove away. It won’t. It can’t.

Ask yourself: why am I moving in together rather than holding out for marriage? Dig deep, uncover the real reasons. Most couples who live together do so for the wrong reasons: to save money on rent, as a test for marriage (if this goes well, then I’ll consider marrying this person), or to avoid making a deeper commitment.


If you’re tempted to settle for a live-in arrangement, maybe you should take a step back and aim higher. Aim for someone with whom the idea of sharing the rest of your life is mutually exciting and desirable. Aim for someone whose end goal is also marriage, and neither of you will settle for anything less. Get your own act together so that you can hold out for a relationship that offers the whole package: love, devotion, commitment, and a happy life together — for a lifetime!

Wednesday, April 2, 2014

Two RadioLab Podcasts About Tumors & Brain Disease

At this moment my sister is dying from a brain tumor. While we wait for her end to come much thought is going on about her condition. Here are two favorite RadioLab podcasts about tumors and brain disease. If you have not yet heard them I recommend that you take the time to do.

http://www.radiolab.org/story/update-famous-tumors/

The original program including a tumor update.



HeLa S3 cells
HeLa S3 cells (opiado/flickr/CC-BY-2.0)
When we first released Famous Tumors, Rebecca Skloot's book about the life and legacy of Henrietta Lacks (and her famous cells) had just hit the shelves. Since then, some interesting things have happened to both Henrietta's cells and her family. So, 4 years later, we have a newly updated show!
This hour, we poke and prod at the good, bad, and ugly sides of tumors -- from the growth that killed Ulysses S. Grant, to mushy lumps leaping from the faces of infected Tasmanian Devils, to a mass that awakened a new (though pretty strange) kind of euphoria for one man. Plus, the updated story of one woman's medically miraculous cancer cells, and how they changed modern science and, eventually, her family's understanding of itself.


Unraveling Bolero
http://www.radiolab.org/story/217340-unraveling-bolero/


In this podcast, a story about obsession, creativity, and a strange symmetry between a biologist and a composer that revolves around one famously repetitive piece of music.
Anne Adams was a brilliant biologist. But when her son Alex was in a bad car accident, she decided to stay home to help him recover. And then, rather suddenly, she decided to quit science altogether and become a full-time artist. After that, her husband Robert Adams tells us, she just painted and painted and painted. First houses and buildings, then a series of paintings involving strawberries, and then ... "Bolero."
At some point, Anne became obsessed with Maurice Ravel's famous composition and decided to put an elaborate visual rendition of the song to canvas. She called it "Unraveling Bolero." But at the time, she had no idea that both she and Ravel would themselves unravel shortly after their experiences with this odd piece of music.Arbie Orenstein tells Jad what happened to Ravel after he wrote "Bolero," and neurologistBruce Miller and Jonah Lehrer helps us understand how, for both Anne and Ravel, "Bolero" might have been the first symptom of a deadly disease.